quarta-feira, 10 de agosto de 2016


Kogonada mostra a simetria perfeita dos filmes de Wes Anderson e o ponto de fuga nas perspectivas sempre presente nos filmes do Kubrick

“I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting. That's just sort of my way.” – Wes Anderson

Music: The New Lobby Boy by Alexandre Desplat



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